Classic plexi to early 70s Marshall Super Lead and Super Bass sound and response.Marshall amps helped supercharge the performance, and shape the sound of rock and roll. When the house lights dimmed, all you could see through the hazy darkness was the array of red pilot lights shining from a backline..
What began as an exploration of a deeply specific '60s and '70s English classic rock tone, evolved into a multidimensional gain machine. The heart and soul of the Dreamcoat is a near-exact recreation of the preamp circuit from the Aiwa TP-1011 reel-to-reel deck that can be found in '60s and '70s cla..
The Swell knob controls the number of repeats regenerated - from a single repeat of each playback head to infinite repeats.The Tone control tilts the EQ of the repeats from dark and fat to bright and thin. Dark settings makes the repeats sit in the background. Bright settings emphasizes the attack, ..
With this new version, Catalinbread added a Bias control which gives you a little more gain and body from the stock circuit by simulating out-of-spec parts in the preamp core. They played with the "early" and "later" circuits and found the differences to be a bit too subtle, so they decided to add a..
You've heard the rumors: some of rock 'n' roll's greatest tones were achieved without pedals. Not so fast! While that's technically true, some of the most venerable guitar gods relied on an old tape echo unit to help achieve their legendary tones. This unit is the Maestro Echoplex EP-3. While some g..
The Catalinbread 5F6 is our take on the classic tweed Bassman-style amplifier from the late 1950s.Utilizing 2-6L6 output tubes into 4-10" speakers, the Bassman quickly became the mainstay of stages everywhere during that era.The Formula 5F6 adds vintage tweed Bassman response to our range of Foundat..
Catalinbread Fuzzrite Moseley Collab. FuzzFrom The Ventures' "2,000 Pound Bee", and Iron Butterfly's In-A-Gada-Da-Vida", to the Black Keys, the Fuzzrite has a rich history of taking guitar tones to new levels. We've brought the classic silicon circuit back, and added a 9v power supply. The Catalinbr..
From the years of 1966 to 1968, Mosrite produced two distinct fuzz circuits, one outfitted with silicon transistors, the other with germanium parts. Of the two, the germanium version is by far the most rare, with original designer and Mosrite employee Ed Sanner estimating that around 250 ever made i..
Captures the regal and soaring tones of a Rangemaster Treble-Booster into a cranked up Vox AC30"Queen in a box" Brian May’s sonic signature not only comes from his home built “Red Special” guitar, but also from a treble-booster pummeling banks of AC30s. He never turns the treble booster off, ac..
It's the combination of a Tone Bender MkII fuzz with a Rat distortion to create something that sings like a fuzz but is tight like a distortion, from a really beautiful singing tone, to tight, harmonically-rich crunch, all the way to fuzz mayhem. The Input knob controls the input sensitivity and ada..
The Many Worlds is an eight-stage phaser with eight selectable phase control parameters, six LFOs and two envelope-dependent phase shift modes. Yes, you can get classic, swirly and rich, vibe-esque phaser sounds from the Many Worlds. The fun doesn’t stop there, however; we take you on a multi-v..
Spoiled by the various tube driven echo units we have around the shop, we wanted the Montavillian Echo to sound and feel just as BIG! So we went all out on the audio path on this thing…We took painstaking efforts to make the dry signal sound and feel better when on than with the pedal bypassed.The M..