The Perseus Dio greatly expands on the concept of our original device, giving you a three-voice all-analog octave down device with adjustable octave filters. Three knobs control the mixer section, giving you one octave down, two octaves down, and a dry, boosted distortion. The Dry knob gives you a r..
Featuring a fresh take on the classic '79 "green overdrive," the Sidearm lets you tailor your drive sound to accompany the rest of your rig. The typical "green" overdrive features a combination of filters at different stages to give its characteristic sound. These have all been carefully adjusted to..
The Sinkhole is perhaps our most ethereal reverb unit to date. We’ve combined a harmonically-rich “hole” reverb with an impossibly deep four-voice chorus that’s been outfitted with a feedback control and a gentle high-cut filter. Within this arrangement, the feedback control allows the Sinkhole to r..
One of the most recognizable pieces of gear in classic rock canon is the old Hornby-Skewes Treble Booster, a version of the classic effect used by too many artists to list. While almost all of them used a Rangemaster, the Hornby-Skewes version came stock with a silicon transistor for a more biting s..
The Soft Focus patch on the Yamaha FX500 was widely used in the ‘90s by early shoegaze bands, most notably Slowdive on Souvlaki. With its roots in that patch, the Catalinbread Soft Focus is intended to be an instant shoegaze button, while addressing the most glaring issues of the original ..
The Soft Focus Deluxe installs the missing delay function from the original FX500 patch, giving you exacting control over every parameter across 6 different programs. Dip your toes into a vast array of shoegaze textures and soundscapes with an integrated footswitchable distortion circuit, giving you..
The Fuzz Face debuted in 1966 as a germanium fuzz and by the '70s was switched to silicon for circuit stability reasons but its circuit was barely adapted to its new semiconductors. In light of this, the StarCrash is the '70s fuzz you wish they would have made from the beginning. First, Catalinbread..
After having acquired more flangers than should be allowed by law, we sealed ourselves away in the laboratory to study the nuts and bolts of the effect. What emerged was the STS-88, a love letter to the flanger. Our development sector contains units of all types, from the ubiquitous Boss HF-2 and EH..
Era-defining plate reverb with studio-style controls. 479.99% smaller than the leading plate reverb. It adds lush ambience, dimension, thickness, and depth in an unobtrusive way.Listen to any recording from the 70’s and you’ll most likely hear the sound of a plate reverb, a giant mechanical contrapt..
Big wet and splashy.60's outboard spring reverb tank."Surf guitarist's wet dream."- Tone Report Magazine The outboard Fender 6G15 spring reverb unit is the sound of Surf guitar, Spaghetti Western and many other great guitar sounds from the sixties. Part of its magic, and how it differs from the..
"Tremolo" is only scratching the surface. With 8 unique programs, the Tremolo8 shows you what volume modulation is truly capable of.In a past life, this project started as a pedal for our personal enjoyment; a digitized model of the Fender Showman’s "harmonic vibrato". The experiment was a resoundin..
THE TRIBUTE IS AN ALL-GAIN PARAMETRIC OVERDRIVEAhoy ahoy, you’ve just accessed the lore of the Tribute, a pedal that literally every guitarist needs. Yes, even you, outlaw country fan, and you, person wearing indecipherable metal logo band shirt. You see, the Tribute is an all-analog circuit that co..