- Stock: In Stock
- Model: MASK1
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MASK 1 is a new 10-voice polyphonic digital Synthesizer featuring bitmask synthesis. WHAT the synthesis? Bitmask synthesis first become a topic with the announcement of another Kodamo synth, the Bitmasker, a small portable digital synth. A project the developers are still working on.
According to Kodamo, Bitmask is a new synthesis method that splits a sine wave into many parts which are then rearranged into different ways. You can create classic waveforms with it like saw but also crazy new timbres. But they sound gritter and dirty than traditional oscillators say the developers. It reminds me of the design of the MOK Waverazor plugin where you also cut up waveforms and glue them back together to generate new harmonically richer timbres.
The MASK 1 engine consists of two oscillators with 200 built-in waveforms powered by the Bitmask technology. Then, you get a noise generator, a 12-state variable filter, digital, not analog, with four modes, self-resonance, and key tracking.
Modulation side, it has 7 envelopes (pitch, 4 ADSR envelopes, and 2 delta envelopes per voice), two multi-wave LFOs with noise, and 15 mod destinations. MASK 1 comes with a 5-octave FATAR keyboard with velocity and aftertouch.
There is also a polyphonic slurred mode that automatically slurs neighbor notes for great melodic expressivity while playing chords simultaneously says the developers. How this works, in reality, would have to be seen on the finished device.
Specifications
Synthesis type | Bitmask, subtractive |
Polyphony | 10 voices with optimized allocation |
Multitimbrality | 4 parts (5 in layered/split mode) |
Oscillators | 2 bitmask per voice with 256 masks each, transpose and detune |
Noise | 1 per voice with programmable sample-and-hold frequency |
Filter | 1 per voice, two poles (12dB/oct) state variable, self-resonant with pitch tracking and 4 modes (low, high, band pass, notch) |
Envelopes | 4 loopable ADSR per voice (osc1, osc2, noise, filter), 3 delta-decay (osc1 mask, osc2 mask, pitch) |
LFO | 2 per part with 7 waveforms and noise, delay, decay and 16 destinations |
Arpeggiator | 26 patterns with adaptive or fixed chords, latchable, retrig or pitch change modes. Arp do send note events to MIDI out. |
Looper | Up to 10000 events, unlimited duration, single track. Records notes, pitch bend, mod wheel, aftertouch and sustain pedal. |
Effects | Two stereo effects in series. First effect: chorus, phaser, distortion, bitcrusher, tremolo and ring mod (64 types). Second effect: delay, comb filter, reverb, room simulations and distortion (48 types) |
Modulations | Velocity (6 destinations), modulation wheel (16 destinations), aftertouch (16 destinations), LFO1 and LFO2 (16 destinations each) |
Play modes | Polyphonic, monophonic, slurred, mono portamento on legato, paraphonic, hybrid poly-mono on legato, slurred paraphonic, mono retrigger, poly retrigger |
Split | Configurable split point, balance between voices, transpose, panning and tuning |
Layer | Configurable balance between voices, transpose, panning and tuning |
Misc | Voice pan spread, polyphonic portamento, keyboard envelope rate scaling |
Memory | 120 factory presets, 400 user voices. EEPROM-based (no battery required) |
Audio outputs | 2 balanced 1/4" TRS jack, pro audio level with +/-12V internal power supply, 1/4" jack headphones |
MIDI | 2 DIN (in, out), class-compliant USB type B, SysEx voice transmit/receive, CC-mapped voice parameters |
Keyboard | 61 full-size keys, weighted Fatar action with 6 velocity curves and 6 aftertouch curves |
Controls | 23 buttons, 2 rotary encoders, pitch bend wheel, modulation wheel |
Display | 4-digit red display |
Pedal input | Sustain, 1/4" TS jack, adaptive polarity |
Tuning | 400-470Hz. 6 temperaments including arabic tuning. |
Size | 89 x 26 x 8cm including knobs and feet. |
Weight | 7.5kg |
Power | External 12V DC adapter, AC 100-240V in |
Chassis | Powder-coated, screenprinted steel. Light grey (RAL 9002) color |
Sides | Black ABS |